GUWAHATI: Bollywood movie “Gully Boy” won maximum prizes at Filmfare Awards 2020, Here’s the complete list of awards for the movie.
The 65th Amazon Filmfare Awards 2020 was held on February 15 in Guwahati, Assam. This was the first edition of the award show which was held outside Mumbai.
BEST FILM – GULLY BOY
Directed by Zoya Akhtar, Gully Boy was a classic underdog story in which Murad (Ranveer Singh) conveys the struggle of his life and other social issues through rap. Despite facing various setbacks, Murad rises to the top with the backing of his mentor MC Sher (Siddhanth Chaturvedi) and his love Safina (Alia Bhatt).
BEST ACTOR IN A LEADING ROLE (MALE) – RANVEER SINGH, Movie – GULLY BOY
You could almost say that Ranveer Singh was born to play Murad from Gully Boy as he raps his soul out in the film. He digs his claws into the character and delivers a performance that will be remembered for a long time.
Checkout the complete award list on FILMFARE.COM
BEST ACTOR IN A LEADING ROLE (FEMALE) – ALIA BHATT, Movie – GULLY BOY
Alia Bhatt brings back her effusive charm with the portrayal of Safina in Gully Boy. She’s a feisty young woman who beats up girls who flirt with her boyfriend. Her performance is so great that you’re always left wanting for more.
BEST DIRECTOR – ZOYA AKHTAR, Movie – GULLY BOY
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While Gully Boy was a classic underdog story, Zoya Akhtar’s sheer brilliance took it to a whole new level. She creates a world of her own and draws you into it. With Gully Boy, she also put Indian street hip hop on the mainstream scene.
BEST ACTOR IN A SUPPORTING ROLE (MALE) – SIDDHANT CHATURVEDI, Movie – GULLY BOY
Siddhant Chaturvedi never for a second lets you believe with this was his debut film. He exudes the dominating personality that was MC Sher with great confidence on screen.
BEST ACTOR IN A SUPPORTING ROLE (FEMALE) – AMRUTA SUBHASH, Movie – GULLY BOY
Amruta Subhash played Murad’s (Ranveer Singh) mistreated mother Razia Ahmed in Gully Boy. A woman physically and mentally abused by her husband turns into her son’s strength and watches his rise to the top. Amruta Subhash played the role with great conviction which was evident on screen.
BEST MUSIC ALBUM – ANKUR TEWARI AND ZOYA AKHTAR, Movie – GULLY BOY
The album boasted of collaboration between various artistes like Divine, Naezy, Sez on the beat, Rishi Rich, Dub Sharma, Jasleen Royal, Ace, Ishq Bector, MC Altaf, MC TodFod, 100 RBH, Maharya, Noxious D, Viveick Rajagopalan and was a true tour de force, merging new age hip hop and blues with Bollywood sound.
BEST LYRICS – DIVINE AND ANKUR TEWARI, Movie – GULLY BOY, Song – APNA TIME AAYEGA
The song became so popular it became the anthem of the nation in no time. The aspiration and hopes of a generation got expressed through it. Its hook line has become part of everyday slang of today.
BEST BACKGROUND SCORE – KARSH KALE AND THE SALVAGE AUDIO COLLECTIVE, Movie – GULLY BOY
The film was based on the life of real-life underground rappers based in Mumbai and hence the background score had to reflect the pain, the angst as also the triumph of the marginalised artistes and Karsh Kale and his team aced the brief.
BEST CINEMATOGRAPHY – JAY OZA, Movie – GULLY BOY
The film was shot in the marginalised areas of Mumbai. Also, the sets were cleverly designed to resemble slums. A grey tone was maintained throughout to give the film a singularity of vision.
BEST PRODUCTION DESIGN – SUZANNE CAPLAN MERWANJI, Movie – GULLY BOY
The recreation of slums on the sets was so authentic that no one was able to tell them apart from the real thing. Suzanne did a fine job indeed and had everyone believing that the entire film was shot in Dharavi.
BEST DIALOGUE – VIJAY MAURYA, Movie – GULLY BOY
A young man belonging to the slum dreams big — that was the film’s premise and Vijay Maurya got the street slang just right. The scene where the hero’s mother and father fight, for instance, had lines that tore you apart with their earnestness.
BEST SCREENPLAY – REEMA KAGTI AND ZOYA AKHTAR, Movie – GULLY BOY
Reema and Zoya made sure you caught the emotional drama behind the lives of underground rappers to perfection. The various strands of lives of the marginalised class were tied up nicely.
